O Lord our Lord, how admirable is thy name in the whole earth! For thy magnificence is elevated above the heavens. Out of the mouth of infants and of sucklings thou hast perfected praise…
Recently I attended a simple daily Mass along with 60 students in grades 6-12. Let’s see, that places them somewhere between the ages of 11 and 18. So given that there were only 70 people in the church – students and a handful of adults- I would say that the average age of the congregation was somewhere between 15 and 16.
Sometimes people prepare for a big event through careful planning. We say to one another “this is going to be a special event and naturally everyone will want to see it.” Therefore we practice and we stage dress-rehearsals.
We are careful to market the event and distribute flyers. Maybe we even sell tickets.
And then it passes like any other special event. Everyone says “what a great experience…but what a lot of work! It sure would be tough to do that every week!”
But, strangely, we sometimes find ourselves in the middle of something big, something extraordinary…and surprisingly it is something that happened with absolutely no fanfare. We were not prepared for it because there was no advance marketing, no announcements, no flyers, no tickets-and consequently (and not surprisingly) no audience or crowd of witnesses.
And this simple daily mass with these ‘children’ was just such an event.
Somewhere during the Mass I found myself thinking: What is going on here? This is absolutely beautiful! I don’t think these kids are even aware of what they are accomplishing!
And what was it that they were accomplishing?
They were accomplishing, in an unassuming and unostentatious manner, the very thing that every Church Musician, every Liturgist, every Pastor, every Bishop…nay even the Fathers at the Second Vatican council wanted to accomplish when they wrote Sacrosanctum Concilium.
They were accomplishing full and active participation in the sacred liturgy. They were accomplishing this through beauty! And as the choir was practically coextensive with the congregation, I found myself thinking,
“Wow, look here! Here at last is a liturgy in which the full and actual participation of the faithful is being accomplished! Such a thing was not simply a whimsical dream of the council fathers after all! Quick, call the bishop, call the Vatican, call the pope and tell them all that… it is possible!”
Because as we all know, this is the express wish of the council fathers when they said
Mother Church earnestly desires that all the faithful should be led to that full, conscious and active participation in the ceremonies which is demanded by the very nature of the liturgy.” (Constitution on the Sacred Liturgy )
Granted that active participation does not mean the same thing as actual participation, nonetheless these kids were demonstrating active participation to the greatest extent that I can imagine.
Let me give you a quick overview of what happened.
As it was a simple daily Mass, the students chanted the Kyrie (from the Gregorian setting Mass XVII). So singable, so lovely! What is it about Gregorian chant anyway? The words are melded so perfectly with the melody that the two become one… like body and soul.
Have you ever heard a crowd of 60 youngsters singing Gregorian chant? And singing it beautifully and singing it from habit? They sang it gently while allowing for the natural rising and falling and swelling and diminishing to dispose the soul in the perfect attitude that the prayer itself calls for.
I don’t know how the Holy Trinity could refuse when invoked by voices in such a way!
And then they sang the Gloria!
Now as a parish organist and music director, understand that, I am a paid professional.
I take it as one of my primary duties to do my level best in coaxing the congregation at my church to sing the Gloria every Sunday at five different masses with hundreds of people in attendance.
One day I dream of introducing the Gregorian Gloria VIII (aka Missa de Angelis) to our parish, but for the time being we are required to sing the recent Mass of Kevin Keil (The Mass of Saint Francis Cabrini). And a parish music director must be sensitive to the fact that singing music in Latin, Gregorian chant no less, might in fact excite a stampede in protest. How can anyone ever be expected to sing music in a language which one doesn’t speak or understand?
But as far as I am concerned the Gloria from the Missa De Angelis is in fact a perfect Gloria. there really is no need to sing any other. It is easy. It is tuneful and memorable. The rhythm and melody match the words perfectly and the soul is aroused towards the worship of God!
And these sixty students, these sixty youngsters with ordinary voices, these sixty joyful hearts sang the Gloria without batting an eye. Not even the youngest student present raised his hand to say “but I don’t understand Latin! How can you expect me to sing this?”
At the offertory they sang the lovely Marian hymn Ave Maris Stella.
I have always loved this hymn to Mary the star of the sea. She is the one to whom we must always appeal as we sail through the storms in our lives (or should I say the storm of life?). This hymn has many beautiful verses and is therefore quickly and easily learned by just about anyone.
Next they sang the Sanctus from Mass XVII. With its soothing descending intonation there follows an immediate spirit-lifting symmetrical ascension. A perfect preface for the Eucharistic prayer. The final Hosanna soars aloft but then glides down for a graceful landing on the word “excelsis.”
For many of these students, especially the younger, the chant was new. For all of them it was never rehearsed. I suppose the older students knew it from having sung it at many previous school Masses, but the way the music is passed from the older students to the younger seems almost magical. The power of emulation! But that’s the way it is with those Gregorian Mass settings…you hear them once and can join in the second time. Even if you are just, say 11 or 12.
I love the Agnus Dei. All of the settings, of course, have some repetition – yet some variation. Poignant and ethereal, the chant communicates the pleading of the words. The melody said the same thing “Lamb of God….have mercy..”
That of course gives the full meaning of “bis orat qui cantat” (he prays twice who sings!).
Now after the students received communion they sang the quintessentially appropriate communion chant Ave Verum Corpus.
I don’t think there really could be a more fitting chant for communion. Hail true body, born of the virgin Mary! As this chant proceeds solemnly and reminds us of the passion, it ends with the triplex direct invocation of Jesus. The first two are identical-and therefore the second builds in intensity preparing for the soaring third invocation “O Jesus Son of Mary!”
Mass ended with the the rousing Viadana Exultate Iusti. To hear their voices blossom forth into polyphony with the upbeat, fast-paced, exultant tones was a perfect conclusion as we prepared to step out into the rain of that bleak February morning.
The priest processed out led by the altar boys. The final note of the Exultate Iusti reverberated throughout the church and then there was a profound silence.
I looked around discretely from time to time to see if the kids were aware of what they had done. Yes- I know they knew what they had done, as far as youth knows…but were they really aware of the profound beauty that they had cooperated in producing? Were they fully aware of their cooperation in so sublime an act of worship?
By the appearance of their youthful and carefree expressions I don’t think so. For them it was an ordinary experience – another school Mass. But in my hidden tears I knew it was nothing of the sort.